![]() ![]() Two interesting and, at times, very useful layer types. Very powerful and you can create just about any shape, smoothly, with it ( Video from the Krita team ). Especially worth mentioning is the Mesh functionality within this tool. I only used this tool in this project while doing work on Mairi’s left arm, but I did do another quick test to find out what this one can do. There’s a 2 hour video by David Revoy were he goes through all the brushes that came with Krita 4.0.0 showing how and when to use them. The amount of options are a bit overwhelming though… Creating a new brush group that holds favourites, changed and created brushes was also a piece of cake. Creating 2 hair specific brushes, one dynamic and one working on a very small pixel scale, was a easier than expected. I find Krita’s brush edit/creation tools easy to work with. It defaults to 5 layers (+ residual) and you can go up to 10 layers if wanted/needed. I also gave Krita’s native Wavelet Decompose option a go: Works as expected. For work on the high frequency layer I created a low flow, hard edged clone tool, with the pressure settings disabled. Although this tool is simple, it is powerful and precise enough for this work. #Krita blur tool PatchI used Krita’s smart patch tool to work on the low frequency layer. Here’s a comparison between very early stages and the one exported from Krita:ĭo I need to say anything about this? Some steps are destructive in nature but just about anything else can be done non-destructively.Ī low frequency and a high frequency layer, created using a combination of a Gaussian blur, grain extract blend mode and a grain merge blend mode.
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